Events

Guest conductor leads the Halifax ensemble Nova Sinfonia “Im Frühling” by Goldmark, Liszt Piano Concerto no. 2, and Brahms Symphony no. 1

Music Director Mark Shapiro leads The Cecilia Chorus and Orchestra of New York in Orff’s CARMINA BURANA and Walton’s BELSHAZZAR’S FEAST.

Music Director leads the Prince Edward Island Symphony in Aaron Copland’s Symphony no. 3 and Rachmaninoff’s Piano Concerto no. 3. With Sarah Hagen, piano.

Artistic Director leads Cantori New York in works by Robert Maggio and Paul Crabtree.

Artistic Director leads Cantori New York in works by Robert Maggio and Paul Crabtree.

Conducting Robert Paterson’s opera trilogy THREE-WAY at Mostly Modern Festival in Saratoga Springs in a production directed by John De Los Santos.

Judges: Malcolm Merriweather, Mark Shapiro, Damien Sneed. Chair: Gregory Hopkins

I look forward to again serving as a judge for this competition!

This mixed program includes the Elegy by Edward Elgar; Ancient Airs & Dances Suite no. 3 by Ottorino Respighi; the Concerto for Clarinet by Aaron Copland with Jamie Marks, clarinet; Novellette op. 52 no. 4 by Samuel Coleridge-Taylor; the tango Tres Minutos con la Realidad by Astor Piazzolla (100th birthday tribute); Mendelssohn Sinfonia for Strings no. 7 in D major.

Thrilled to conduct CANTORI NEW YORK in Fauré’s Requiem on the distinguished and life-affirming series THE ANGEL’S SHARE at Green-wood Cemetery.

Thrilled to conduct CANTORI NEW YORK in Fauré’s Requiem on the distinguished and life-affirming series THE ANGEL’S SHARE at Green-wood Cemetery.

Thrilled to conduct CANTORI NEW YORK in Fauré’s Requiem on the distinguished and life-affirming series THE ANGEL’S SHARE at Green-wood Cemetery.

An imaginative program comprising the Carnegie Hall debut of Ballad of the Brown King by Margaret Bonds with the Christmas portion of Handel’s Messiah in Mozart’s orchestration.

In collaboration with student pianists at Juilliard Vocal Arts, Mark Shapiro devises and conducts a chamber version of Stravinsky’s The Rake’s Progress with Juilliard Vocal Arts. Louisa Müller directs.

In collaboration with student pianists at Juilliard Vocal Arts, Mark Shapiro devises and conducts a chamber version of Stravinsky’s The Rake’s Progress with Juilliard Vocal Arts. Louisa Müller directs.

In collaboration with student pianists at Juilliard Vocal Arts, Mark Shapiro devises and conducts a chamber version of Stravinsky’s The Rake’s Progress with Juilliard Vocal Arts. Louisa Müller directs.

Mark Shapiro conducts Cantori New York in works by Paul Crabtree, Robert Maggio, and Ben Moore, on a theme of the literary voices of women in later life. Texts by Iris Murdoch, Virginia Woolf and others.

Mark Shapiro conducts Cantori New York in works by Paul Crabtree, Robert Maggio, and Ben Moore, on a theme of the literary voices of women in later life. Texts by Iris Murdoch, Virginia Woolf and others.

A very original program on a theme of spring awakening. Two works for chorus with four pianos and percussion: Carmina Burana and Rite of Spring in an arrangement by Seann Alderking. Featuring Blair MacMillan, piano.

Mark Shapiro leads Cantori New York in premieres of Ghost Chorales by Adolphus Hailstork, for chorus and brass trio on texts by Walt Whitman; and Brought to Light by Melbourne composer Stuart Greenbaum, for chorus, string sextet and vibraphone.

Mark Shapiro leads Cantori New York in premieres of Ghost Chorales by Adolphus Hailstork, for chorus and brass trio on texts by Walt Whitman; and Brought to Light by Melbourne composer Stuart Greenbaum, for chorus, string sextet and vibraphone.

Conducting the world premiere of Southern Crossings by Zaid Jabri, libretto by Yvette Christiansë and Rosalind Morris.

Conducting the world premiere of Southern Crossings by Zaid Jabri, libretto by Yvette Christiansë and Rosalind Morris.

Serving as Director of Conducting with The European American Musical Alliance, back live in Paris for the first time since 2019.

Audition for my conducting classes at the Juilliard Extension Division.

Conducting The Prince Edward Island Symphony in music by Missy Mazzoli, Franz Strauss, and Johannes Brahms (Symphony no. 1). With Justin Amador, horn.

Teaching the inaugural orchestral conducting workshop for this new organization.

Conducting Cantori New York in the world premiere of Neither Separated, Nor Undone for chorus and instruments. Words and music by Derrick Skye.  Also on the program: works by George Walker and Tarik O’Regan.

Same program as Saturday November 12.

Conducting The Cecilia Chorus of New York with orchestra in Ballad of the Brown King by Margaret Bonds, with music by J.S. Bach (Magnificat and Cantata #5 from Christmas Oratorio).

The beloved annual holiday concert from Cantori New York.

Same program as December 17.

Conducting The Prince Edward Island Symphony in Mahler Symphony no. 5 (reduction by Yoon-Jae Lee), preceded by Baby-Serenade by Erich Korngold.

Conducting Cantori New York in music for voices and instruments by Lembit Beecher, Benjamin C. S. Boyle, and Adolphus Hailstork.

Same program as March 4.

Conducting The Prince Edward Island Symphony in Tchaikovsky Symphony no. 4 and Rachmaninoff Piano Concerto #3 with Sarah Hagen.

Conducting The Cecilia Chorus of New York with orchestra in the world premiere of the orchestral version of Neither Separated, Nor Undone (words and music by Derrick Skye), and the first-ever Carnegie Hall performance of a choral-orchestral work — her Dixit Dominus — by Marianna von Martines, a contemporary of Mozart’s. Also on the program: music by Bartok and Mozart.

The world premiere of Herrick’s Oratorio by David del Tredici, plus the New York premiere of El hombre errante by Gabriele Lena Frank.